Paul Robeson Centennial Project Records, 1921-2001 | Center for Black Music Research
Early in 1996 Woodie White, Vice President of College Relations and Development (later called Institutional Advancement), Dr. Samuel A. Floyd Jr., Director of the Center for Black Music Research, and Morris Phibbs, Coordinator for Outreach and Development for the Center for Black Music Research, met with Nancy Mikelsons of the Paul Robeson 100th Birthday Committee to discuss the possibility of Columbia College Chicago’s involvement with arranging, developing, and organizing various Paul Robeson centennial projects for the 100th Birthday celebration to take place in 1998. Later that year, Mark Rogovin, founder of The Peace Museum in Chicago, and Fred Fine, Columbia College Chicago Trustee and Director of Public Affairs (part of College Relations and Development) were also involved with these discussions. Mark Rogovin was hired April 1, 1997 by Columbia College Chicago and began his position as Project Consultant for the Paul Robeson Centennial Project (at Columbia College).
Rogovin’s role was to: act as liaison between the Center for Black Music Research and the Paul Robeson Centennial Project (at Columbia College) and community groups planning events to honor Robeson; facilitate the efforts to bring Jessye Norman to Chicago; work with the local public television station representatives at WTTW and the CBMR staff in aspects of the Jessye Norman concert; coordinate aspects of the Paul Robeson film festival, co-sponsored by Columbia College and the Harold Washington Library; serve as a resource to professors and teachers planning courses on Paul Robeson; facilitate planning and implementation of a symposium on Paul Robeson, acting as advisor to professors and staff at the College; and to interweave work between the Paul Robeson Centennial Project at Columbia College and the Paul Robeson 100th Birthday Committee, as appropriate and where beneficial in promoting the work of the College.
Rogovin also worked with Dr. Margaret Burroughs, co-founder of the DuSable Museum of African American History, located on Chicago’s south side, to bolster the enthusiasm and efforts of many African-American and white celebrities, historians, U.S. politicians, and other notable persons, such as President Bill Clinton, journalist and historian Studs Terkel, actor, singer, and activist Harry Belafonte, and musician, singer and activist Pete Seeger, to name but a very few.
Connecting and sharing information with other Paul Robeson Centennial Committees throughout major cities in the U.S. as well as in New Zealand, Australia, Germany, Japan, Russia, and elsewhere, the Chicago Paul Robeson Centennial Committee organized petitions which were sent to the United States Postal Commission requesting a commemorative stamp be created in Robeson’s memory; in 2004, their efforts were rewarded.
Though the Chicago Paul Robeson Centennial Committee disbanded between 1999 and 2001, there are still numerous committees and websites devoted to remembering Paul Robeson, the actor, athlete, singer, and activist.
Paul Robeson Centennial Project records consist of correspondence, promotion flyers, announcements, committee notes, artwork, newspaper articles, copies of declassified F.B.I. files, books, booklets, and photographs all related to Paul Robeson, the Chicago committee's work to celebrate Robeson’s 100th birthday, as well as other committees in the U.S. and Europe, and the efforts by the Committee for the creation of a U.S.P.S. commemorative stamp of Robeson. The bulk of this collection is made up of the office and subject files of which include Chicago committee members’ correspondence with U.S. federal and state officials, historians, celebrities, and Robeson’s granddaughter, Susan Robeson; also form letters, notices of celebration events in Chicago and around the world, news clippings and magazine articles, brochures, photographs, promotional materials, and event schedules.
Aside from the commemorative activities, of particular interest are materials about the Communist Party and labor movements in the United States, and single issues from two periodicals, Masses & Mainstream, a labor journal (dated from 1949 to 1952), and Freedomways, A Quarterly Review of The Negro Freedom Movement (dated from 1965 to 1985). There are also sound recordings and video recordings, both commercial and non-commercial, of movies, documentaries, concerts, speeches, and radio interviews.