Irene Britton Smith papers, 1930-1990 | Center for Black Music Research

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Collection Overview

Title: Irene Britton Smith papers, 1930-1990

ID: 1000/SMITH_1039

Primary Creator: Smith, Irene Britton

Extent: 22.0 Boxes

Date Acquired: 00/00/1998

Abstract

Papers, dated circa 1930 to 1990 and undated, predominantly manuscripts of her musical compositions and composition exercises, scrapbooks, photographs, ephemera, scores, sound recordings, and correspondence.

Scope and Contents of the Materials

Most of the collection consists of Smith’s compositions, dated late 1940s to 1950s, with most undated. She wrote music for orchestra, solo violin, and piano, as well as choral works, spiritual arrangements, and art songs. Some of her works appear to be intended for children and were perhaps written for her students. Her papers contain a folder of poems and texts she apparently considered for musical settings, as well as correspondence from Countee Cullen concerning her request to set his poem “Leaves.”

Her correspondents include Chicago composer Florence B. Price and Stella Roberts, her composition teacher at the American Conservatory of Music. Most of the correspondence she kept is in her scrapbook, along with programs from concerts in which her works were performed and other items about her activities as a teacher and musician.

In addition to her scrapbook she kept a file of clippings and programs on composer and conductor Margaret Harris (1943–2000), also a Chicago native. The file on Harris and other loose items laid into the back of the scrapbook, plus items received separately are filed in separate files.

An interesting component of the collection are the various composition exercises and reworkings of compositions by other composers that Smith retained after her studies. These, along with her class notes, which she also kept, would be useful for a study of her development as a composer, as would a typed draft of an undated letter to her teacher at the American Conservatory, Stella Roberts, in which Smith states her ideas about music.

The collection also contains her textbooks and books on theory and composition, which have been inventoried, and her collection of music by other composers, some of which date from the 1920s and 1930s. Music by black composers and association copies are listed in the full finding aid. Appended to the collection are nine boxes of published music which have been filed alphabetically by composer but are not inventoried.

Biographical Note

Irene Britton Smith (1907–1999) was born and educated in Chicago, where she attended Wendell Phillips High School and the Chicago Normal School. Music and music composition were her avocation. Professionally, she taught reading in the Chicago Public schools for forty years. During her summer vacations she studied music in Chicago, receiving a BM from the American Conservatory in 1946, and a MM from DePaul University in 1956. She also studied composition at Juilliard, at Tanglewood, and with Nadia Boulanger at the American Conservatory in Fontainebleau, France. Smith herself played violin, piano, and organ, and served as a church musician. After her retirement from teaching, she was active as a docent for the Chicago Symphony Orchestra’s youth concerts.

Administrative Information

Repository: Center for Black Music Research

Access Restrictions: None

Use Restrictions: None

Acquisition Source: Butler, Eva S. on behalf of Irene Britton Smith

Box and Folder Listing

Browse by Series:

[Series 1: Scores by Smith],
[Series 2: Scrapbook, photographs and ephemera],
[Series 3: Composition exercises and notebooks],
[Series 4: Correspondence and personal papers],
[Series 5: Scores and materials on other composers],
[Series 6: Sound recordings],
[Series 7: Collection of Books and Music Manuals],
[Series 8: Published Music by Other Composers],
[All]

Series 1: Scores by Smith

Sub-Series 1: Manuscript scores

Box 1-3

Item 1: The Angel Roll the Stone Away. Negro Spiritual, arr. Irene Britton Smith. Score: manuscript, incomplete. Scored for piano and voice.
Item 2: Autumnal Reverie. Score: manuscript. Scored for piccolo, flute, oboe 1 & 2, clarinet 1 & 2, bassoon 1 & 2, horn 1 & 2, trumpet 1 & 2, trombone, bass trombone, harp, violin 1 & 2, viola, cello and bass.
Item 3: Born Anew. Score: manuscript. Scored for mixed voices, solo baritone and organ.
Item 4: Born Free. Negro Spiritual, arr. Irene Britton Smith. Score: manuscript. Scored for two voices.
Item 5: Dream Cycle: I. Over the Hill, II. By the Pool, III. Sunset and IV. Why Fades a Dream. Irene Britton Smith, Poetry by Paul Lawrence Dunbar. Score: manuscript. Scored for voice and piano.
Item 6: Fairest Lord Jesus. 1946. Published by G. Schirmer, Inc. Scored for soprano and alto voices and organ accompaniment.
Item 7: Fugues, I and II. I: Fugue in Ab Major for piano. Manuscript. II: Fugue in G minor for String Trio. Score: manuscript. Parts: violin, viola and cello. Manuscript.
Item 8: God is Our Refuge/Psalm 46. Score: manuscript and photocopy. Scored for baritone voice, chorus and piano.
Item 9: Good Morning. Piano/vocal score: manuscript and photocopies. For unison voices.
Item 10: It's Me, O Lord. Arr. Irene Britton Smith. Score: manuscript. Scored for soprano 1 & 2 and alto.
Item 11: Let us Break Bread Together. Spiritual, arr. Irene Britton Smith. Manuscript. Parts: mezzo soprano, soprano and baritone.
Item 12: Not A Word. Score: manuscript. Scored for solo voice and four male voices.
Item 13: Panis Angelicus. Score: manuscript. Scored for three female voices.
Item 14: Passacaglia and Fugue in C# Minor. Piano score: manuscript.
Item 15: Prelude. Solo piano piece. Photocopy of manuscript.
Item 16: Prelude I & II for piano. Bela Bartok, arr. Irene Britton Smith. Score: manuscript.
Item 17: Psalm 25. Score: manuscript. Scored for three female voices.
Item 18: Psalm 121. Score: manuscript, incomplete. Scored for voice and piano.
Item 19: Psalm 130. Score: manuscript. Scored for SATB chorus and organ accompaniment.
Item 20: Reminiscence for Violin and Piano. Score: manuscript and transparency. Scored for violin and piano.
Item 21: Sinfonietta. 1956. Parts.
Item 22: Sinfonietta. Sketches and practice sheets: manuscript.
Item 23: Sonata for Violin and Piano. Pullman, WA: Vivace, 1996.
Item 24: Sonata for Violin and Piano. 1947. Score and parts: manuscript, complete.
Item 25: Sonata for Violin and Piano. Score and parts: manuscript, complete.
Item 26: Sonata for Violin and Piano. Score and parts: transparencies, complete.
Item 27: Sonata for Violin and Piano. Violin part: bowing and fingering added. Photocopy, complete.
Item 28: Sonata for Violin and Piano. Scores and parts: manuscript and photocopies, incomplete. 2nd Movement: score and parts, manuscript. Notebook sketches of all three movements: manuscript.
Item 29: Sonata No. III. Edvard Grieg, arr. Irene Britton Smith. Score: manuscript.
Item 30: "The Story of Crosspatch." Score: manuscript. Scored for mixed voices.
Item 31: Swing Low & "Were You There." Negro Spirituals, arr. Irene Britton Smith. Score: manuscript. Scored for three female voices.
Item 32: Three Fantastic Dances, Op. 1 in D. Shostakovich, arr. Irene Britton Smith. Score: manuscript..
Item 33: Trees of the Night. Score: photoreproduction. Scored for voice and piano.
Item 34: Variations on A Theme by MacDowell, Op 49, no 1. Piano score: manuscript.
Item 35: Untitled. Variations on a theme. Score: manuscript.

Box 4

Item 36: Sinfonietta. 1956. Score: manuscript, photoreproduction and photocopy (Oversize)

Sub-Series 2: Poetry, attributed and unattributed

Box 6

Folder 1-2: Poetry