Scope and Contents: This collection, dated circa 1925–1963, consists of photographs of Evanti in operatic roles and during visits to Berlin, Mexico and Brazil, plus one letter from Owen Dodson to Evanti thanking her for a donation of costumes to Howard University. Also included is a typescript of the prologue to her autobiography “Where My Caravan Has Rested” with handwritten additions, given as a speech at Women’s day of the Century of Negro Progress Exposition in Chicago in 1963.